Showing posts with label Vine. Show all posts
Showing posts with label Vine. Show all posts

Monday, June 14, 2010

Metro's Hollywood & Vine Station needs a Bike HUB!



The Metro's CEO, Art Leahy, refers to the Hollywood & Vine Metro Station as "a flagship transit HUB, one that should set the standard for the Metro's comprehensive transportation system." Gatehouse Capital refers to its W Hollywood Hotel & Residences Development as "a glamorous venue, one that will seduce you - mind, body and soul." Legacy Partners refers to its 1600 Vine Residential/Retail development as 1600 Vine as "a truly unique living experience full of comfort, urban conveniences, and contemporary amenities in one of Los Angeles’ most renowned locations."

Collectively, Hollywood & Vine is LA's largest Transit Oriented Development and it became a reality after a decade of grappling that saw the Metro, the CRA, the City of LA, the LADOT, the Chamber of Commerce, lawyers, developers, investors, activists, neighborhood councils, artists, merchants, and neighbors all working to protect their interest in one of the most iconic intersections on earth. Now that the dust has cleared, the awesome magnitude of the Hollywood & Vine TOD has become the standard for future Transit Oriented Development projects.

I think that's a problem.

For all of the celebratory ribbon cutting, soft focus photo opps and champagne toasts, the details matter and the Hollywood & Vine TOD is missing some significant details that go a long way to demonstrating a commitment to people who walk, who ride a bike, who simply want to enjoy public space and who believe that a TOD is something more than an interchange, that it is a significant place, one that is made for people.

Missing from the Hollywood & Vine project is a Bike HUB, a community benefit that is provided by the Metro, the CRA, Gatehouse Capital, and Legacy Partners. This simple commitment to supporting cyclists goes a long way to demonstrating a commitment to TOD projects which purportedly serve cyclists, pedestrians, mass transit passengers and the immediate community.

1) The Hollywood & Vine project has overbuilt on its motor vehicle parking requirements, demonstrating a bias that encourages vehicle trips instead of working to reducing congestion by reducing the number of generated vehicle trips.

2) The Hollywood & Vine project has failed to provide the bike parking as required by LA's Municipal Code, a fact that failed to trigger a response from Building & Safety, a department that never invokes any bike parking minimums in spite of the law.

3) The Hollywood & Vine project unfolded over several years and during that time, the community requested a Community Car Share program, a Community Bike Share program, and a Community delivery service but none of the promises turned into reality. 

4) The Hollywood & Vine project received concessions and funding and legal support (eminent domain) based on its claims of a positive impact on the community, the economy, the traffic, and the quality of life as a whole for those who live in Hollywood, those who work in Hollywood and those who visit Hollywood.

5) The Hollywood & Vine project claims to be a Transit Oriented Development, a designation that includes a commitment to cyclists, pedestrians, vibrant street life and a connectivity to the community.

All of this being said, I look at the two-thirds of a billion dollar H'wood & Vine TOD Fortress and I ask "Where's the Bike HUB?"

I propose that the Metro and the CRA and Gatehouse Capital and Legacy Partners get together and immediately implement a Bike HUB program at Hollywood & Vine and I've got the location already selected. (There are actually three great locations, one on Hollywood Blvd., one on Argyle, and this great location on Vine)

Imagine a Bike HUB on Vine Ave., a bike shop for locals where cyclists can work on their bikes as well as store them in a secured environment. The Bike HUB could also offer a Bike Share for locals and a Bike Rental for tourists. In addition, the Bike HUB could serve as a Visitor's Center for tourists who simply need info on the neighborhood. Good for cyclists, good for the residents, good for the tourists, good for business and great for transit, offering Metro passengers a "last mile" option.

There are many iterations of the Bike HUB concept, from city-sponsored and more city-sponsored to artistic eco-storage to on-campus facilities to sophisticated spa facilities with showers, lockers, and masseuse to the bike storage robot, they all offer variations of bike repair support, secure bike storage, bike-share or bike-rentals, education, encouragement, and helpful information on the surrounding community. Los Angeles is surrounded by great examples of bike co-ops including the Bicycle Kitchen, BikeRoWave, the Bike Oven and the Bikery. There is also the Bikestation organization with facilities in Long Beach and Covina and Claremont.

Last week's Urban Land Institute TOD Summit featured politicians, transit operators, bureaucrats, developers, lawyers, planners, and advocates, all clamoring to keep their place at the table as LA's 30/10 plan for putting $40 Billion to work on a dozen mega transit projects picks up steam. There in the mix was Andréa White-Kjoss, President and CEO of the Bikestation, working to remind the Summit attendees to keep things in perspective, that the high altitude funding and planning will only succeed if the vision is kept centered on the experience of the individual, the person who walks or rides a bike or shops at the store or meets friends in the public space.


It is imperative that we set professional standards for active transportation and that we firmly establish "last-mile" elements into any TOD programming. The folks at Bikestation have a strong support track record for providing innovative solutions to unique transit opportunities and Hollywood is the capital of innovation and opportunity.

Now, more than ever, it's important that we set a standard at the Hollywood & Vine TOD, that we firmly establish a standard for a Bike HUB and that we make it a robust success, with the support of professionals such as the folks at Bikestation, with the support of the Metro and the CRA, with the support of Gatehouse and Legacy, and with the support of the community.

What happens in Hollywood will set the course for the future.

Tuesday, May 25, 2010

Trader Joe's - Weak on Bike Week!



Friday morning's Grand Opening of the new Trader Joe's in Hollywood was a joyous occasion for many but for the cycling community it was a vivid demonstration of how invisible cyclists are in the customer mix. There were no bike racks to be found in spite of the fact that the Trader Joe's is located at the southeast corner of LA's largest Transit Oriented Development, a project that purportedly caters to cyclists and pedestrians by combining density with convenience. (unless you're the kind of cyclist who actually uses a bike and then "never mind!")

This was also Bike Week, adding insult to energy, and cyclists had just experienced ten days of very effective, fair trade, shade grown, dolphin safe, handmade bullshit from Trader Joe's and a completely insulting and meandering journey with regards to responsibility.

Trader Joe's had argued vehemently and consistently that it was merely the Tenant and that the Landlord was responsible for bike parking, that the Tenant was limited in its ability to improve the property and that it was out of their control. Christie Hughes finally conceded and agreed to install bike racks at the Trader Joe's, just like the bike racks at other Trader Joe's. I cautioned her against repeating the mistakes of the past and urged her to hire a professional, after all, everything else is done by profesionals, why not bike racks?

Legacy Partners, the Landlord, argued that it was not responsible for installing bike racks and that Trader Joe's was responsible for all improvements but that bike racks could not be installed outside the Trader Joe's entrance and under the sign because "We're limited by the DDA with the Metro and the CRA." The Development Agreement purportedly addressed things like bike racks and "limited" the authority of the Landlord and the Tenant but Ed Kirk, VP of Legacy Partners, agreed to investigate before simply forbidding bike racks on the outside of the building.

The Metro, owner of the land under the W Hollywood compound and the authority holding the 99 year lease, was blamed for the DDA that might serve as an obstacle to the installation of Bike Racks but the proverbial hot potato left the hands of Greg Angelo, Metro's Director of Real Estate, as soon as he heard that the Metro was being offered up as opposed to bike parking.

The California Redevelopment Agency (CRA) was also offered as an obstacle because of the Development Agreement but Kip Rudd of the CRA was at the Trader Joe's ribbon cutting and he chuckled when asked about any DDA prohibition against bike parking. "Who told you that? The CRA is a proponent of bike parking and has three streetscape improvement projects for Hollywood that include bike parking."

That left the City of Los Angeles as the bike parking obstacle. At every turn, from Christie Hughes to Trader Joe's Director of Construction Rich Adachi, I heard about the City of Los Angeles and the mythological need to get a permit in order to install bike racks. Granted, Trader Joe's is on Hollywood's Walk of Fame, but my proposed location for the exterior bike parking is under the Trader Joe's sign on their property, not on the sidewalk. In fact, the City of LA has a municipal code that requires bike parking, it just lacks the political will to implement or enforce its own code.

As for Political Will, City Council President Eric Garcetti arrived on Friday morning to cut the ribbon and to present the Trader Joe's management with a resolution welcoming them to the neighborhood. When I spoke to Garcetti and pointed out that the largest TOD in Los Angeles had failed to include bike parking in its program, in spite of its purpurted commitment to active transportation. (I thought the "new urbanist" lingo might resonate!) He continued to smile and nod and I got more specific, pointing out that the City of LA was a development partner with the folks responsible for the largest TOD in LA and yet their were no bike racks. How can there be a standard for TOD developments funded with public money that does not specify a minimum for bike racks?


The W Hollywood is LA's largest TOD and its development partners include the Metro, the CRA, the City of Los Angeles, and the funding comes from sources that include the Federal Government and the State of California. This project is encumbered by rules and restrictions and regulations thick enough to choke an invasion of developers and heavy enough to sink a fleet of developers and yet Gatehouse Capital and Legacy Partners prevailed. They are to be commended for their perseverance in what was a decade long bureaucratic journey to the proverbial ribbon cutting.

At the same time, they fell short, way short. Their tenants followed suit.

Along the way, cyclists discovered that when push comes to shove, Bike Week is a token gesture that comes with no real conviction or support. Be clear on this, from the Feds to the State of California to the Metro to the CRA to the City of Los Angeles, facilities for cyclists are so low on the list of priorities that they fail to register. Cyclists will count when cyclists demand to be counted.

It ain't over!

Friday, May 21, 2010

Bike to Work Week ain't over!




Three years ago Enci and I partnered with the Metro and celebrated Bike to Work Week by hosting a pit stop at the Hollywood & Western Metro station. We did it to celebrate bike culture and to encourage our cycling community, we did it to send a message to the motoring community, and we did it to encourage our friends to spend the day riding with us. (we so cleverly called our celebration "Bike INSTEAD of Work Day!")

We also did it because we were totally pissed that our friend Jen Diamond had been assaulted by a hit-and-run motorist and left in the street, only to have six months pass with no resolution, even though the LAPD had an independent witness and the license plate information of the vehicle.

We brought a prop bike so that the Metro staff could look like cyclists when interviewed on TV, we had a huge Cyclists' Bill of Rights Banner and we rode with the LAPD cyclists to City Hall. It was a great day, so much fun we immediately made plans to repeat it the next year.

Two years ago Enci and I again set up a pit stop at the Hollywood & Vine Metro Station, hauling out the Cyclists' Bill of Rights Banner and leading a merry band of cyclists on an all-day ride that took us to City Hall, to Caltrans, and to USC for the Los Angeles Neighborhood Institute. Nobody ended up at work, we instead focused on equal parts bike fun, bike activism, bike politics and straight up biking. We made friends with Randy, a member of the Midnight Ridazz Aid LifeCycle Team who was taken down by a hit-and-run motorist just a week later. Still she rides!

It was a long day and at the end, we were ready to simply ride home but it wasn't so easy. Heading through the Hollywood & Western intersection we were overtaken by a Metro bus operator who was not impressed with the Bike to Work theme. He was downright homicidal. Still we ride!

Last year Enci and I found ourselves less enthralled with the idea of riding to City Hall and decided to instead explore the controversial Expo Line with our Expo Exposure bike tour. Our friends from Clif Bar (Kitten Kuroi and Marin Vaughn) joined us at Hollywood & Vine and we gave the local commuting cyclists lots of encouragement before heading off on a ride to the westside and then back to USC for the always interesting Los Angeles Neighborhood Institute. The infamous Hummer vs. Cyclists incident had just occurred and cyclists were feeling a tad political, just enough to give the Bike INSTEAD of Work a bit of an edge. Still they ride!

This year, Enci and I intended to host a pit stop for Bike to Work day, we really did. But the simple reality is this, we spent all week on three campaigns and it left us with little enthusiasm or energy for the Hollywood & Western Bike to Work pit stop. To our friends who came by to visit but didn't find us, we hope you understand and we hope you'll join us in working to make Los Angeles a great place to ride.

As for the campaigns:

  • We've been fighting to defend the honor and the rights of a dead cyclist in Glendale. We don't know him but a newspaper article quoting a Glendale Police Detective as saying that a cyclist was killed by a stop-sign-running motorist shared 50% responsibility for his death because he rode his bike on the sidewalk in violation of State law prompted us to engage the Glendale Police Department in an awareness campaign that continues.
  • We've been fighting to ensure that our community supports cyclists. We love Trader Joe's but if they're going to open a store at the W Hollywood Transit Oriented Development without any bike parking, they're simply not welcome in Hollywood. Tough words but we backed it up by going after Trader Joe's Corporate with the full support of our friends and we're determined to prevail, not just for the specific improvements but to set a standard.
  • We've been fighting to develop a more effective relationship with the Los Angeles Police Department. Last night we celebrated Bike to Work Day at the LAPD Headquarters with Chief Doan, Commander Villegas, and Sgt. Krumer. Six months after we met with Chief Charlie Beck and formed the Cyclists/LAPD Task Force, we had results. We reviewed new roll call training on the rights of cyclists along with LAPD Directives and Special Orders that addressed 1) Non-Contact Traffic Reports with Injuries 2) Citation Authority for Impeding/Blocking Bike Lanes 3) LAPD Authority over Metro/Cyclist incidents 4) Interagency Coordination of issues relating to cyclists and their right to ride the streets of Los Angeles safely and free of fear!

Earlier this week I wrote a post for CityWatchLA in which I indicated that I was done with celebrating Bike to Work Week. I meant it when I wrote it and I really do hope that someday, riding a bike on the streets of Los Angeles becomes such a normal thing that there is no need to call out the news team, hold a press conference, and pass out rewards and stickers memorializing the occasion.

Until then I will keep fighting to make Los Angeles a Great City and I will start by fighting to make the streets of LA a great place to ride. For me, Bike to Work Week isn't over until Saturday and I'm proud to be participating in BikesideSPEAKS where 7 speakers will take 7 minutes each to address 7 subjects that are key to making our streets safer for everybody. I hope you'll join us in a real Bike to Work Week celebration!

Tuesday, April 13, 2010

CityWatchLA - Hollywood’s W Hotel Ushers in the Golden Age of TOD … Deception


CityWatch, Apr 13, 2010
Vol 8 Issue 29

The W Hollywood Hotel & Residences is finally open, bringing over a decade of architectural and political alchemy to a conclusion, resulting in LA's largest inhabitable mixed-use Billboard Development, also referred to as a Transit Oriented Development (TOD) or as they say in Hollywood, Transit Disoriented Development (TDD).

Blessing the corner of Hollywood and Vine and perched neatly atop the Metro's Hollywood & Vine Red Line Station, the W Hollywood celebrated its long awaited arrival with a  ribbon cutting ceremony that featured some of LA's finest spokesmodels, including Mayor Antonio Villaraigosa and Ryan Seacrest, most of whom arrived in motor vehicles and availed themselves of the TOD-obligatory valet parking. (Two locations - Hollywood Boulevard or Argyle Avenue!) Since then, the valets have maintained their presence, standing like little soldiers outside Delphine and at the W Hotel front door, inside the Motor Court.

Mixed-Use and TOD projects such as the "W" are considered a blessing by the New Urbanists who subscribe to the mythology of LA's unique style of TOD but a curse by the detractors who have failed to drink the TOD Kool-Aid which is quite tasty at first but typically comes with a 99-year long bitter aftertaste that lingers well after the developer has left town.

Theoretically, this TOD project brings human density and robust economic activity along with lifestyle choices that will concentrate activity in the Hollywood and Vine hub while allowing people to avail themselves of the rich mass transit and people powered transportation opportunities, reducing the need for single occupant motor vehicles and the corresponding vast amounts of vehicle parking.

Then again, there's reality.

In fact, much of the W Hollywood Hotel & Residences journey has been one of "the theoretical vs. the reality" and while it remains to be seen whether the reality is of greater positive impact than the theoretical, it doesn't look good. In fact, it looks bleak. Based on results, often harsh but always fair, the W Hollywood Hotel & Residences does little to encourage any of the purported benefits of TOD projects and instead encourages the very behavior and negative impacts that TOD proponents fight to discourage.

It's been months since I stood on the sidewalk with Marty Collins, the CEO of Gatehouse Capital, the developer (along with Legacy Partners) of the project and the guy who brought in the W Hollywood as the anchor tenant. He purportedly owns a condo just above the Walk of Fame where we stood discussing bike parking and the W's community benefit. As we chatted, he took a long drag on his cigarette and then flipped the butt on the sidewalk, in front of what is now Delphine. The cigarette butt rolled across the Walk of Fame star of Charles Coburn, one of the few Hollywood stars who actually lived on Hollywood Blvd., and landed in the gutter. (the butt, not Coburn)

I regret to this day that I remained silent.

Coburn isn't here to feel slighted but the people of Hollywood are. That simple moment of contempt and arrogance is a clear indicator of Collins' commitment to any "community benefit" that was part of the City of LA, CRA, Metro, Gatehouse deal.

Nevertheless, the W Hollywood Hotel & Residences is upon us, a Transit Oriented Development of such significant size that it has its own gravitational pull, both politically and architecturally.

"This isn't Hollywood the movie. This isn't Hollywood the ride," Collins declared as the W Hollywood opened its doors. "This is the real Hollywood." What's not clear is if Collins was referring to W Hollywood's record billboard entitlement or its auto-centric design. In either case, he is correct, this is Hollywood and any promises to promote a pedestrian environment, to support cycling access to the Red Line, to encourage mass transit passengers, to create an environment that "connects" with the street, all fell by the wayside in the time it took to hire the valet and tell the public "This door isn't for the public but if you walk around the block and through the Auto Court you can come in the back way."

LA Time Architectural critic Christopher Hawthorne gently reviews the W Hollywood, noting the lack of architectural coherence as well as the lack of clarity that is demonstrated by the contrast in the stated TOD commitment to vertical density which is then contradicted by the obligatory homage to Hollywood's "love affair with the car and the glossier, more exclusive corners of celebrity culture." Christopher concludes his insightful review of the W Hollywood's fabrics, textures, and color schemes by offering up this soft dismissal; "the W Hollywood isn't just an urban-planning experiment for Los Angeles. It's something of a sociological one too."

It's an experiment?

Perhaps in funding and gullibility and so far it has demonstrated that there is no limit to either.

Legacy Partners, co-developer of the W Hollywood qualified for $10.2 million in ARRA funding. The W Hollywood has had tremendous support from the leadership of Los Angeles which translates into big bucks. From the CRA to City Council Eric Garcetti to the Mayor himself, this project had some heat. When the Metro's meager parcel of land was insufficient for the fortress sized plan of Gatehouse/Legacy, the CRA and the City of Los Angeles stepped in and offered up their eminent domain support, seizing adjacent properties and explaining that the support of the W Hollywood was for the Greater Good! WooHoo! (Of course by Greater Good, the doorman explained that the public will need to walk back to the street, east on Hollywood Boulevard, south on Argyle Street and then through the Motor Court in order to partake in the public's portion of the Greater Good!)

Of two recent travel reviews, both authors arrived by car, demonstrating quite conclusively that even those who are out to immerse themselves in the W Hollywood's unique brand of TOD environment know enough to steer clear of the transit and to err in favor of the automobile. Of the two, one used the motor court and opened the review with "Welcome to Hollywood!" The other used a taxi and attempted to enter the W Hotel from the public plaza but somehow got lost. "Geez! If we have to tell you where we are, perhaps you're not supposed to be here!"

One can only imagine the experience of the travel writer who actually arrives on mass transit, exits the Red Line station and depends on the Metro and the W for any wayfinding help. There's a curbside sign announcing the discontinuation of the DASH bus stop. There's a sign advertising available retail space. There's a sign directing cyclists to non-existent bike racks. But there's nothing that says "Welcome to the W Hollywood, you transit riding, TOD superstar! Turn to your right, walk toward the smell of urine but don't actually enter the elevator area, instead turn right and walk down the hallway toward the velvet ropes. They'll ask for your room key, you'll explain that you don't have one because you just arrived, they'll look at each other with puzzled looks and mild confusion will break out! All the while, they will size you up to see if you really are a potential guest or simply one of the many glitz-free locals who wants to turn the W Living Room into a real living room!”

It appears that the W Hollywood is many things but it is not a Transit Oriented Development, at least by any accepted planning standards. As for Collin's Castle, the Fortress of Fortune, LA's largest inhabitable Billboard Complex, it's here and the opportunities for the W Hotel to improve the quality of life in the surrounding community remain untapped.

Next week, I'll detail the W Hollywood's shortcomings based on Transit Oriented Development standards and will offer recommendations for amends, starting with a butt can on the off-chance that Collins should return to the scene of the crime.

(Stephen Box is a transportation and transit advocate and writes for CityWatch. He can be reached at Stephen@thirdeyecreative.net)

Monday, March 29, 2010

Metro's Hollywood & Vine "Bike Room" draws the crowds!


Opening night for the Metro's Hollywood & Vine "Bike Room" drew overflow crowds of the Hollywood elite, all anxious to take part in the Metro's ongoing commitment to Transit Oriented Development. They arrived in lovely private automobiles that were parked by the valets on Hollywood Boulevard, they arrived in taxis that competed with the Metro buses for the prime real estate on Hollywood Boulevard, they arrived in limos, they even arrived on foot, and if the bike parking had been in place they might have even arrived on bicycles. No matter, there's always time in the future for the cyclists, most importantly, the beautiful people were there to celebrate the "Bike Room" ribbon cutting and to be part of the TOD scene!




The W Hollywood is a $600 million Transit Oriented Development (TOD) that features the W Hotel, complemented by the W Residences, justified by the W Apartments, perched atop the Metro's Hollywood & Vine Red Line Station, and wrapped around the Hollywood Boulevard public plaza. Critics might suggest that the public plaza is the "posterior" of the large complex, pointing to the lack of integration and connectivity as evidence to its "backside" status. (The public are asked to take Hollywood to Argyle and then to walk down to the "Motor Court" entrance to access the W Hotel. Delphine has no signage on the plaza side, instead aiming for the motoring public on Hollywood Boulevard. Those that arrive by Metro get little enticement to stay and become part of the W experience.)



As for the "Bike Room," critics have asked how a TOD project of this size can spend over a decade getting to the finish line, only to find that Metro Planning is just now asking "Where do the cyclists go?" It's only now that Metro Planning is looking to the other Metro Departments such as Real Estate, Operations, Rail, and Security and asking the tough questions such as "Who's in charge?"


None of which matters in the least to the crowds of Hollywood's finest who turned out to celebrate the impending arrival of the "Bike Room" and to celebrate the idea that pedestrians and cyclists and mass transit passengers are all "transportation heroes" at the Metro's Flagship Hollywood & Vine Red Line station.

Nestled discretely in an eastside nook, just opposite the rest rooms, is the "Bike Room." Take a look at the plywood wall (all dressed in black!) and the hasp lock (understated yet powerful!) and the fact that it is obviously closed. (Hollywood exclusivity only makes people want more!) Nothing says "Yes!" like being told "No!"

Truth be told, in spite of the overwhelming success of the "Bike Room" opening, I have a few suggestions for the Metro, which I offer in the hopes that the Hollywood & Vine Red Line station can improve and become the standard against which all other TOD projects are measured. Most importantly, this journey at Hollywood & Vine is also an opportunity for the Metro to examine its own (dis)organization and to improve systemically so that it becomes the Transportation System capable of planning and executing the 30/10 plan that would fund a dozen mega-projects, all executed within a decade by the same people who can't get bike racks installed at a Metro Station. Here are my observations and recommendations.

1) Metro Systemic Failure: The "Bike Room" non-start demonstrates that the Metro wasn't paying attention to its development partner from the beginning. The W Hollywood opened several weeks ago (complete with pictured employee bike parking) and the Metro is just now grappling with the need for to develop a plan for the proposed membership based bike parking system for the Metro station. This is not the visionary work LA needs from the Planning Department of the Metro. In fact, it demonstrates the need for the Metro to integrate and synchronize its many departments who all had a piece of this (in)action, from Real Estate to Planning to Operations to Rail to Security to Financial to the Executives who allow these people to operate without oversight or accountability. "Tear down these silos!"

2) Bike Room Location Conflict: The "Bike Room" is currently located on the east side of the plaza, in conflict with the W Hollywood and Drai's, both of which use the red carpet area as entrances to their venues and the open plaza as a holding area for crowd control. The "Bike Room" would be best used as storage for the space heaters, the barricades, the stanchion poles, and the velvet ropes that Drai's and the W use on a regular basis. The "Bike Room" is a very inhospitable room in a very inhospitable location and to stubbornly insist on shoe-horning a bike storage facility into a small room with 24" thick walls and no windows is the recipe for failure. Give it back and negotiate for a better space that will hold a flagship "Bike Room" worthy of a flagship Metro Red Line Station.

3) Install Public Bike Racks First: The "Bike Room" does not address the basic needs of the casual cyclist who needs to lock up a bike at the Hollywood & Vine Metro Station. Bike Racks must be the basic and minimum "end-of-trip" accommodations that are part of all Metro Stations. To operate without basic Bike Racks is cavalier and irresponsible. Simple Bike Racks give the most ROI for bike parking, are the most basic foundation for multi-modal transportation, and are the opening move. Fancy key-fob, private access, membership based "Bike Room" proposals fail to resonate in an environment that lacks the basics. "Start with public access inverted U racks."

4) Consider the Humans: Site surveys must take place when the public is using the common area, the public plaza. A significant amount of surface space on the west side of the plaza is made of vented grates. The women who frequent the W and Drai's tend to wear high-heels and they avoid the grates. To install inverted U racks on the cement area on the west side of the planter reduces the walkway leaving a small amount of cement and a wide swath of grates. In addition, this area is the access to the gate for the Living Room and Delphine's patio. One would presume that when the finishing touches are put on the patio area, perhaps as summer gets closer, this west side of the plaza will enjoy crowds similar to the east side. Is it necessary to put the cyclists at odds with the public simply because of especially poor planning?


5) Send in the Negotiators: It is apparent that the developer got away with little, if any, community benefit in this deal. Renegotiate now or prepare to accept defeat. The public plaza could stand to lose a planter or two, it is poorly laid out and the fact that those on a site survey are always "in the way" demonstrates that this looked good on paper but fails the simple "people" test. Take out the westside planter, put in parallel bike parking with endcaps to protect against crowds passing by, cover with an awning, and move on.


6) Get a Room: There are lots of street level spaces on Argyle. Start there and negotiate for a real facility, one that people will write home about. Set the standard for innovation. Create a "Bike Room" that offers all of the services that Hollywood needs. Would this be a location for a bike share for tourists? Would this be where people get information? Would this serve as a hub for Bike Culture? Would this be a place that offers education and encouragement for locals? Would this be the location of a Bike-Share for W guests? Would this be the location for a Bike-Share for the W residents? Would this be an opportunity to create a presence in Los Angeles for other transportation innovations such as electric bikes, cargo bikes, a bike delivery service, and a pedicab service? These questions and others should become part of a commitment to raising the standard, not lowering it, and now is the time to "Get a Room" and to fill it with ambition and innovation.



7) Protect the Walk of Fame: Both Hollywood Boulevard and Vine Avenue are part of Hollywood's legacy. People come from all over the world to visit the Walk of Fame. Treat it with respect and take care of it. Curbside inverted U racks are great and they are always a welcome sight when looking for opportunities to lock up a bike. But curbside racks are no substitute for a bike corral that is visible, safe, effective, and protected. The W Hollywood has four sides to a five acre property. Concentrating all bike parking efforts on the northside public plaza means that Trader Joe's is opening with no bike parking. If there is no plan in place now, the solution will end up being inverted U racks on the Walk of Fame. Hardly worthy of the Metro, Gatehouse Capital, the CRA, the City of LA, Legacy Partners, the W and the cycling community who continually accept promises of "Don't worry! We've got a plan!"


8) The Bike Stops Here: Based on results, often harsh but always fair, the Metro has an abysmal track record for bike parking. Witness the Hollywood & Western "Metro Bikes" fiasco that never opened. It resulted in years of activity including the purchase of racks that have since disappeared, the hiring of an operation partner who was paid but never performed, the partnership of the CRA, the City of LA, the Developer, none of which resulted in one bike ever getting parked. Consider the recent Eastside Extension and the bike racks at the Soto Station and the Mariachi Plaza. Both stations had racks installed and in both cases the racks failed to meet the feeble Metro Bike Parking standards. The Metro doesn't spec the standards, the contractor doesn't meet the standards, the Metro doesn't inspect and the contractor doesn't correct. This casual approach must stop.





The Metro's Hollywood & Vine Red Line Station is in the middle of LA's largest Transit Oriented Development. It is here that the Metro's performance as a robust and comprehensive Transportation System must be evaluated and it is here that the Metro demonstrates its commitment to multi-modal transportation. Good, bad, or indifferent, the Metro's Hollywood & Vine Red Line Station bears witness to the Metro's relationship with the cycling community.

Wednesday, March 10, 2010

Transient Oriented Development (TOD)


The W Hollywood Hotel & Residences, perched atop the Metro's Hollywood & Vine Red Line Station, has simultaneously raised the curtain and lowered the standard, establishing itself as LA's largest Transient Oriented Development (TOD) complete with a public plaza that offers convenient single serving drug sales, discrete nooks for defecation and urination, secure yet public overnight sidewalk accommodations, and a popular valet-adjacent vomitorium. Let there be no mistake, when it comes to the creation of great public space, the W Hollywood turns its back and runs.

The inadvertent pursuit of the Transient Oriented Development (TOD) title over the more highly sought after Transit Oriented Development (TOD) status is just one of the many miscommunications and misunderstandings that have occurred during the long and contentious W Hollywood development process.

Gatehouse Capital and Legacy Partners have spent over a decade developing the land owned by the Metro. Along the way they engaged in a journey that City Council President Eric Garcetti referred to as "sometimes painful, but worth the effort." (wait until he sees the vomitorium!) Jeff Cohen, Chief Operating Officer of Gatehouse, agreed with Garcetti and said the process he went through was "not for the faint of heart."

Hollywood Chamber of Commerce President Leron Gubler rises above the fray and simply states that the W Hollywood was developed with a unique "local focus" in mind and a commitment to alleviating congestion, explaining "That’s why the project is right next to an MTA subway stop."

All of which prompts me to suggest that Eric and Jeff and Leron hop on their bikes and pedal over to the "local focus" Transient Oriented Development known as the W and join me in looking for the bike parking. There are directional signs, three of them, alerting the public to the bike parking. There just isn't any bike parking.


This is a problem for several reasons:

1) Failure to deliver on the TOD promise: This is a $600 million Transit Oriented Development, funded with significant amounts of your (the public's) money on land owned by you (the public). The TOD promise comes with assurances that the project will cater to cyclists and pedestrians and that it will have a positive impact on the community, creating human density and offering opportunities to live, to work, to shop and to socialize, all without having to further congest the streets with private motor vehicles.

2) Lack of Metro oversight and accountability: Evidently the Metro's Bike Planning Department was unaware of the decade long development process that went into bringing the W Hollywood to the ribbon cutting ceremony. Apparently the Metro staff didn't get invited to the ribbon cutting ceremony and were unaware that the project has passed the finish line, leaving behind a public plaza at the Hollywood & Vine Metro Station that is the responsibility of...nobody!

3) Lowers the standard for future TOD projects: This is the largest TOD in Los Angeles and there will be more. Now is the time to raise the bar and to engage in development that is so brilliant that it causes those around the world to covet and envy, not to giggle and mock. When the City Council, the CRA, the Chamber of Commerce, the BID, the Metro, the LADOT, the LAPD, the LASD, and the Federal Government all get together, one would think two things would happen.

* Real leaders would rise to the occasion and create powerful and effective teamwork.
Unfortunately, the public hears nothing but the difficulty of working with so many agencies and authorities. This is a cry for leadership.

* Real innovators would rise to the occasion and create a world class Transit Oriented Development.
Unfortunately, the public hears nothing but the limitations of scale with so many details to be resolved. This is a cry for innovation.

4) Demonstrates a lack of standards: Whether it's the simple process of deciding in advance who sits at the big table and who waits until the ribbon cutting to get a shot at the scraps or whether it's deciding in advance what the design standards are for TOD, this project is a scream for attention. Cyclists and pedestrians are the user group that is to be considered from the beginning of the project conception, not after the project delivery. Simple access and accommodation standards are given to the designers and architects in advance, not squeezed in after construction. Does the Metro and the City of Los Angeles have those standards? If yes, why weren't they implemented? If not, develop and implement them immediately before engaging in any more missteps.

5) When this many authorities working with this much money use "I assumed!" as an operating mantra, it borders on professional negligence. The details matter. They are significant. They are the telltale whisps of smoke that indicate a much larger problem, one that may not surface for some time. But they are significant and one can only wonder, "What else was completely overlooked?"

6) Bike parking should be visible to those who ride by. It should reinforce that this is a rideable community. It should reinforce that cyclists are welcome on the Metro, whether they leave their bikes secured at the stations or take them on the train or bus. It should be visible so that the community's eyes are on the cyclists and their bikes. It should reinforce that bikes are an integral part of the Metro's commitment to a robust and comprehensive Transportation System. It should be part of the basic foundation of accommodation, not an afterthought that comes up when everything else is done.

7) Public Space should encourage good behavior! As we gathered for a site survey, it was apparent that wherever we stood, we were in the way. Great public space isn't just open, it's designed to foster social interaction, yet the benches here are fixed and allow people to sit back to back but not to face each other. Where do people "hang out" and relax? Where do couples or small groups sit and chat? The Metro's Hollywood & Vine open space attracts transients and discourages community. Tough charge, backed up by reality. What looks good on paper doesn't always translate into reality. Environmental architecture is not simply positioning a "rain forest" to the east and specifying bamboo for the planter, it is "designing for good behavior," a standard that applies to all disciplines, from law enforcement to transportation to development to hospitality.


Twelve days ago, I called Lynne Goldsmith, Metro's Bike Planning Manager, to report that the W Hollywood had made it past the ribbon cutting and still the Metro hadn't installed any bike racks. She explained that the Metro has big plans, but that the bike racks wouldn't be installed until later in the year when the Metro "programmed" the small room off to the side of the rest rooms, next to the elevator. I pointed out that the W Hollywood has been in development for a decade and asked how the Metro could justify waiting until after the opening to begin thinking about "Where do the cyclists fit?"

(Goldsmith's promise should be tempered with the knowledge that the Metro's Hollywood & Western Red Line Station also has a room set aside for bike parking. At one time it even had racks stored in it, now gone, and the room is still empty years after the development was built, with your money!)

Goldsmith told me how busy she was and suggested that I call Greg Angelo, Director of New Business Development in the Metro's Real Estate Department. We chatted, he suggested that I talk to Goldsmith. I pointed out that she said she had no authority and had sent me to him. I offered my opinion on the "little room of urine" that was the current plan and pointed out that it violated basic Crime Prevention Through Environmental Design (CPTED) standards. He became a bit argumentative and told me that I can't complain of a deficiency without proposing the solution. I proposed that the new deficiency was a failure to perform and that the solution was for him to join me for a site survey and to take responsibility for doing his job. We were off to a great start.

One of the simplest and snarkiest solutions to the criticisms of the public is to demand that all interaction be solution-oriented. This closes down feedback and deprives people from participating in the "discovery" process that is part of real innovation. The solution may not be present as the problem is experienced but that should not discourage people from yelling "Fire!" when they see a fire. Angelo seems to think that the solution that eluded the Metro for years is my responsibility for identifying during the process of pointing out that the Hollywood & Vermont Red Line Station is lacking Metro oversight and accountability. The new rest rooms have never seen paper supplies. The bike parking signs are up, the bike parking isn't. He didn't know that until I called. I've already earned my keep, he hasn't.


It gets worse.

I get an invitation to a site survey at the Metro's Hollywood & Vine Red Line Station. Then I received an amended invitation moving it out an additional day. No request of availability or convenience, after all, the public is always available to complain, but it's the Metro staff's time that is valuable. Still, I'm pleased that the meeting will take place and I simply adjust my schedule, pleased that Goldsmith and Angelo and others from the Metro will be joining me for a survey of the Metro station.

Tuesday arrives and I lock my bike up to a light pole on the public plaza. I'm joined by Ron Durgin of Sustainable Streets and Enci of illuminateLA, both of whom take a one hour survey of the W Hollywood Hotel &; Residences with me. When we return to the small empty room off to the side of the elevator, we find Lieutenant George Grein, Retired, of the Los Angeles Sheriff's Department. He has just interrupted a drug deal in the future home of the Metro's safe, secure, and effective Hollywood & Vine bike parking. We are later joined by Sergeant Cliff Yates of the Los Angeles Sheriff's Department who is the supervisor for this area of the Metro. Both Grein and Yates concur that isolation and seclusion are bad ideas for bike parking and that the evidence of human waste, transient accommodations, and drug activity would support my contention that the bike parking should be located elsewhere.

Goldsmith and her assistant, Tony Jusay, arrived and seemed to have a hard time letting go of the little room as a bike parking solution without having another option to grab. Since we were still standing in the little room, I offered that there may be many solutions but it is imperative that we agree that the little room was not one of them. At this point, Goldsmith engaged in displacement activity that had her cleaning the broken baby carriage, the floor mat, the newspapers, the barricades, and the debris, all as we watched and wondered how this moved the site survey forward. Jusay was able to get her to return to the discussion.

Ben Cien, Vice President of Construction and Design at Gatehouse arrived and we now had a fairly robust discussion going, all of it focused on the little room of horrors. All that was missing was somebody from the Metro who had the authority to say "Yes!" Apparently Angelo was unable to make the meeting, too busy to even communicate with the group or to offer an alternative meeting time. Too bad because the resulting two hour survey was then an exercise in "Who's in charge?"

Cien explained that he thought "everybody had signed off on the plan to install a little door" and to make the now "open and secluded little room" into an eventually "secured and secluded little room."

The LASD representatives stayed out of the fray, the cycling representatives argued vehemently against bike parking that requires security cameras and security officers, neither of which are in place, in order to be safe. Both Cien and Goldsmith offered arguments that the camera monitoring and the close proximity of the W Hollywood security would make the environment safe. (Hence the drug deal and the human waste and the evidence of overnight accommodations!)

The cyclists walked the larger facility with Cien, a pleasant host who seemed proud of the many W Hollywood elements. He was comfortable in his skin, greeting guests and staff as we walked through the hotel, the back hallways, the sidewalks, and the parking garage. We chatted about the project including the LEED elements and even offered up that if the employees of the W Hollywood were offered Urban Cycling classes, they would be more likely to ride their bikes to work, take advantage of the employee dressing rooms and bike parking. (there were three large bike racks in the employee parking area of the garage but only one bike)

We measured off some public plaza space as options for bike parking, having arrived prepared to actually survey. We offered some criteria for the eventual solution including visible, close to the entrance, secure, protected with a canopy or cove, out of the passageway, and we looked for opportunities. Essentially, the bike parking must work for the casual cyclist who arrives for the first time, no membership card for a "bike room" or other pre-arranged bike parking. Simple racks that a casual visitor would feel comfortable using and that would serve as secure and effective bike parking. It starts there, not with the VIP program that requires registering, a key card, a membership, and a visit to One Gateway.

Goldsmith had prepared for the meeting by packing a large bag of "That's not possible!" and suggestions such as a canopy or moving the planter or doing anything other than using the little room was met with "That's not possible!" Since she can't say yes and she has no plan and she isn't prepared and she hasn't asked, how does she know the answer will be "No!"

I'm not sure how this project turned into such an environment of limitations but somehow Lynne Goldsmith's contribution to the two hour bike parking survey was a series of "No!" responses to suggestions covering bike parking location, style, visibility, canopy, accessibility, and responsibility. Of course, when listening to Goldsmith speak authoritatively on limitations, from political to financial to social to environmental, I remind myself to never take a "No!" answer from somebody who doesn't also have the authority or power to say "Yes!"

The site survey ended with the obligatory confusion and lack of resolution over authority. The LASD typically is responsible for the Metro Station and the plaza area with the developer/property manager responsible for the actual development. Again, the ribbon has been cut and those at the meeting were unclear of who had authority and who maintained the rest rooms and who was in charge.

I'm not sure who is going to step up on this one. It might be County Supervisor Zev Yaroslavsky who also serves on the Metro Board. Perhaps Metro CEO Art Leahy will decide that the buck stops with him. Maybe Doug Failing, the Metro's Executive Director of Highways and Interim Director of Planning, or perhaps Roger Moliere, the Metro's Chief of Real Property Management & Development, will take a shot at solving the bike parking problem that has caused "paralysis of analysis" within the Metro's Bike Planning department. Angelo is already a no-show and Goldsmith is simply in charge of "No!"

This may seem like a lot of effort, all simply to get some bike racks installed on the public plaza on top of a Metro station at the new W Hollywood TOD but it's much much more.

This is the largest Transit Oriented Development in the City of Los Angeles. The $600 million that is invested in this TOD project came from many sources including you, the public. The Metro's budget comes from you, the public. A standard is being set, not just with the use of public funds, but with the implementation and design of TOD projects of which there will be more. In addition, the Metro is busy, working on the Expo and the Orange Line Extension. The mistakes they make will be repeated unless we work together to raise the bar. The Eastside extension has bike racks installed at Soto and at Mariachi Square. In both cases they need to be reinstalled correctly. That feedback doesn't come from the Metro, it comes from cyclists who care enough to insist on excellence.

Transit Oriented Development is the concept that was sold to the public. The Metro, Gatehouse Capital, Legacy Partners, the CRA, the Chamber of Commerce, the Business Improvement District, the LA Department of Transportation, the LA Police Department, the LA Sheriff's Department, the Federal Government, CalPERS, and Deutsche Bank Berkshire Mortgage all have a piece of this project and it's a shame that we're still standing on the public plaza having a "Who's in charge?" discussion while the work remains incomplete.

For too long, the question "Is there any room left over for the cyclists?" has been the battle cry for the Metro's Bike Planning Department. This is the last time. Who is the person who will say 'Yes!" to bike parking at the Metro's Hollywood & Vine Station.

Tuesday, March 09, 2010

Metro Bike Parking - Won't Get Fooled Again!


Won't Get Fooled Again

In 1971 The Who released their 5th album, entitled "Who's next" featuring album cover art consisting simply of a photograph, taken at Easington Colliery, of the band apparently having just urinated on a large concrete piling protruding from a slag heap. The album cover was voted by the VH1 network as the second greatest album cover of all time. The album itself went platinum...three times over.

"Who's next" inspired a generation of rock and roll fans and, apparently, also served to inspire the Metro's transportation engineers who continue to incorporate the "public urination" and "large concrete piling protruding from a slag heap" concepts in their Transportation Oriented Development (TOD) programming.

Consider the Metro's Hollywood & Vine Red Line Station, now also the home of the W Hollywood Hotel & Residences, a $600 Million Transit Oriented Development that somehow made it past the ribbon cutting without so much as a nod toward the incorporation of bike parking.

The Metro's Hollywood & Vine Red Line Station has been in operation for a little over a decade. During that same period of time the Gatehouse Capital and Legacy Partners team has been working to bring the largest mixed-use TOD to Hollywood. This decade-plus journey saw the Community Redevelopment Agency (CRA), the Los Angeles City Council, the California Public Employees' Retirement System (CalPERS) and the Los Angeles County Metropolitan Transportation Authority (Metro) all working together to bring the gift of Transit Oriented Development to Hollywood. Somehow these titans of development got swept up in the hugeness of the Metro Red Line and W Hollywood Hotel & Residences partnership and lost sight of the details.



Transit Oriented Development (TOD) typically refers to residential and Commercial Centers designed to maximize access by Transit and Nonmotorized transportation, and with other features to Encourage Transit Ridership. A typical TOD has a rail or bus station at its center, surrounded by relatively high-density development, with progressively lower-density spreading outwards one-quarter to one-half mile, which represents pedestrian scale distances. It includes these design features (Morris, 1996; Renne, 2009):
  • The neighborhood is designed for Cycling and Walking, with adequate facilities and attractive street conditions.
  • Streets have good Connectivity and Traffic Calming features to control vehicle traffic speeds.
  • Mixed-use development that includes shops, schools and other public services, and a variety of housing types and prices, within each neighborhood.
  • Parking Management to reduce the amount of land devoted to parking compared with conventional development, and to take advantage of the parking cost savings associated with reduced automobile use (NJDOT, 2007).
  • Transit Stops and Stations that are convenient, comfortable and Secure, with features such as comfortable waiting areas, venders selling refreshments and periodicals, washrooms, Wayfinding and Multi-Modal Navigation Tools
Of the five basic TOD elements, the Metro and the W Hollywood have failed to get past the first half of item #1, designing for Cycling. Somehow the Metro's Real Estate Department, led by Roger Moliere, Chief of Real Property Management & Development, and Greg Angelo, Director of New Business Development, allowed a significant 2/3 of a billion dollar development to get to the finish line before they spoke up and said "What about the cyclists?" Within the Metro's Planning Department is a team led by Lynne Goldsmith that is responsible for bike parking at Metro facilities. How is it that the Hollywood & Vine Metro Station is now built out and the W Hollywood ribbon cutting is old news, yet the Metro still doesn't have a plan for cyclists other than wandering around asking "Is there any room left over for the bike parking?"



The Association of Pedestrian and Bike Professionals (APBP) has national standards for bike parking. They are pretty simple. Accessible, visible, secure. Bike parking isn't mystery science, it's often just good common sense and a bit of commitment. All of the training and common sense in the world can't help a major entity such as the Metro if they can get a decade into a project and pass the finish line before they consider the implementation of a bike parking element. This is simply Planning Malpractice. The bike parking element isn't optional, it an integral element of the TOD concept and of the Metro's larger commitment to its status as a Comprehensive Transportation System.

The City of Los Angeles also has bike parking standards. (see below) They are not quite as simple but they are part of the Municipal Code of Los Angeles. The LA Department of Transportation was involved in this project from the early days, working with the Metro and the developers on traffic mitigation, traffic controls. The LA Department of Transportation has a Project Grants, Bikeways and Enhancement Division led by Michael Uyeno, which is responsible for bike parking in the City of Los Angeles, as specified in LA's City Council approved Bicycle Transportation Plan, an element of the Transportation Plan which is part of the City's General Plan. Doesn't anybody read these documents? Isn't anybody responsible for actually following through on these commitments?

Law Enforcement professionals have standards for the built environment referred to as Crime Prevention Through Environmental Design (CPTED) and if any law enforcement professionals had advised the developers and the Metro on this project, it is reasonable to suggest that they would have excluded secluded areas that reek of human waste as safe areas for bike storage. "Natural surveillance" is a key element and the eyes of the public are of greater value than the hollow promise of video cameras. Urine stains on the walls and floor would be the "broken windows" that serve as cues to both criminals and those who value their safety that this is not supervised real estate.


It's been a year since I last posted "Good for Bikes, Good for Business!" Since then, salaries have been paid, checks have cleared the banks, vacations have been taken, raises have been given and some promotions have been awarded. Granted, those who work for the Metro, the LADOT, the CRA, the City Council, Building and Safety, the LA Police Department, the LA County Sheriff's Department, Gatehouse Capital and Legacy Partners aren't responsible for reading my blog on bike parking, but they are responsible for doing their jobs.

Based on results, often harsh but always fair, anybody responsible for incorporating cyclists, bike parking, and public safety into the Metro's Hollywood & Vine Red Line Station and the W Hollywood's TOD has failed.


From the Los Angeles Municipal Code: (LAMC 12.21-A. 16)

16. Bicycle Parking and Shower Facilities. (Added by Ord. No. 167,409, Eff. 12/19/91.) Off-street parking spaces for bicycles and facilities for employee showers and lockers shall be provided as follows:

(a) In the C and M zones, for any building, portion thereof or addition thereto used for non-residential purposes which contains a floor area in excess of 10,000 square feet, bicycle parking spaces shall be provided at the rate of two percent of the number of automobile parking spaces required by this section for such non-residential uses; provided, however, that at least one bicycle parking space shall be provided for any such building having a floor area in excess of 10,000 square feet of non-residential use. If the calculation of the number of required spaces under this paragraph results in a number including a fraction, the next highest whole number shall be the number of spaces required.

(b) The bicycle parking space requirements in Paragraph (a) shall also apply to any building, regardless of zone, owned by the City of Los Angeles and used by the City for government purposes which contains a floor area in excess of 10,000 square feet.

(c) All bicycle parking spaces required by this Subdivision shall include a stationary parking device which adequately supports the bicycle. In addition, at least half of the bicycle parking spaces shall include a stationary parking device which securely locks the bicycle without the use of a user-supplied cable or chain. Devices which hold the bicycle upright by wheel contact must hold at least 180 degrees of wheel arc.

(d) Each bicycle parking space shall be a minimum of two feet in width and six feet in length and shall have a minimum of six feet of overhead clearance.

(e) Bicycle parking spaces shall be located no farther than the distance from a main entrance of the building to the nearest off-street automobile parking space.

(f) Bicycle parking spaces shall be separated from automobile parking spaces or aisles by a wall, fence, or curb or by at least five feet of open space marked to prohibit parking.

(g) Aisles providing access to bicycle parking spaces shall be at least five feet in width.

(h) Signage which is clearly legible upon approach to every automobile entrance to the parking facility shall be displayed indicating the availability and location of bicycle parking.

(i) Showers and lockers shall be provided as required by Section 91.6307 of this Code. (Amended by Ord. No. 177,103, Eff. 12/18/05.)

Tuesday, September 22, 2009

CityWatchLA - A Tale of Two Hollywoods

CityWatch, Sept 22, 2009
Vol l7 Issue 78

Hollywood's leadership has made commitments to "stimulating development" and "ending homelessness forever" but a simple glance at the construction sites for the W Hotel and the Villas at Gower reveals that the commitment is uneven.

The W Hollywood Hotel & Residences is a massive mixed use project at the corner of Hollywood Boulevard & Argyle, spread over five acres and in the final stages of completion.



The project has relied on public funds to get off the ground, CRA use of Eminent Domain and incredible amounts of LA's political muscle in order to navigate and overcome the significant objections and concerns of the community.

The rapid construction and the abundant integration of huge, lucrative billboards in the structures exoskeleton bear witness to the simple fact that when the leadership of this city want something done, it gets done.

Two blocks away, on Gower Avenue just north of Hollywood Boulevard, sits a large empty dirt lot that was the former home to apartments, affordable housing and the local Traveler's Aid office, all razed in order to make way for the ambitious Villas at Gower, a permanent supportive housing complex that uses an innovative "housing first" approach to addressing the needs of the chronic homeless.



The failure to break ground at this site and the absence of progress in addressing homelessness in Hollywood, in spite of the infusion of public funds, CRA use of Eminent Domain and incredible amounts of LA's political talk, the project lies dormant with nothing but dirt clods, sandbags and a chainlink fence. Witness to the fact that when the leadership of this city doesn't care, nothing gets done.

Both projects have been in play for years. Both projects came with a great deal of controversy and both projects had significant interaction with the community in order to engage the local residents and to purportedly pursue solutions that were robust and came with significant neighborhood support.

Both projects came with support from LA's leadership and yet, at the end of the day, it is evident that when it comes to developing luxury housing for the "haves" and supportive housing for the "have-nots" Councilman Eric Garcetti's enthusiasm is uneven and inconsistent, in spite of the tough talk and in spite of the strong verbal commitments.

Based on results, often harsh but always fair, it's safe to say that when it comes to revitalizing the community of Hollywood, developers will always have a partner within the city of Los Angeles. The homeless are on their own.

This imbalance in priorities leaves local residents to fend for themselves as they deal with issues such as blighted properties, homelessness and public safety.

Conspiracy theorists might propose that the cumbersome public process is designed to wear out the community opposition and to cause the public to simply exhaust themselves before wandering off to howl at the moon over some other civic issue, leaving the politicos and their development partners to play hard and fast with the public funds that serve as redevelopment seed money for ongoing revitalization shell game.

Countering that argument is a quote attributed to former City Councilmember Ruth Galanter "Whenever I hear rumors of a conspiracy, I simply attribute it to incompetence."

Four years ago, a rumor of the CRA's proposed Gower homeless facility rippled through the community. Quick research was done and the Hollywood United Neighborhood Council convened a community meeting to address the proposed site, the facility, the services and the concerns of the community.

As in most cases, the lack of information allowed rumor and fear to run rampant and to generate a great deal of misinformation, resulting in hundreds of people all worked up and yelling and ready to fight, not knowing what the fight was but committed to protecting the status quo from the unknown.

I naively invited the local City Council staff, thinking this was something that would interest them, unaware that they were behind it. Three CD staff members attended the meeting, silently, and it wasn't until later that I discovered that one of them was engaged to a board member of the neighborhood council who served as co-chair of the PLUM committee. What a small world. What a learning experience!

As a member of the Villas at Gower Community Advisory Committee, I've been there through thick and thin, jumping at short notice to participate in meetings that address everything from the project scope to the selection of development partners to the selection of the architect to, hopefully the development of the project.

Four years is quite a long time for volunteers and life has a way of taking over. The local CD staff has turned twice and the CRA's project manager retired and we're on our second architect. Through it all I think I've learned a few things.

1) The community engagement process might not really be a charade, but it looks like one, it feels like one and it acts like one. If it's not a charade, it's simply incompetence.

Sadly this demonstrates that the CRA is either unable or unwilling to engage the neighborhood, to develop community support and to involve locals in the revitalization of Hollywood, an endeavor that is fueled with our money.

Community meetings seem designed to exhaust the community, giving everybody the opportunity to sound off and to relieve themselves of any objections.

If that's the case, the potential partnership and the contributions of the community are lost on the final project and the ultimate result is a disengaged community, less likely to come to the aid of the CRA when it needs help. (Such as last month when Mayor Villaraigosa staged a press conference on top of the Music Box with the W Hotel in the background, fighting to salvage the CRA's funds from the State budget brouhaha.)

2) The development process is ripe for abuse and the rewards go to those who work the system best, not those who are best qualified.

The first architect on the Gower project, Michael Maltzan, was referred to in a review as possessing a "bedside manner that exceeded his body of work." He lived up to that evaluation, charming the CRA, the community, the development partners. The guy was a rock star. He was also a better negotiator than the CRA, demonstrating that bedside manner trumps architectural talent but that the ability to manipulate the system trumps all.

We were well on our way down the concept and design path when the CRA discovered that their contracts had never actually been executed. Much work had been completed and yet there was no binding contract. It was at this point, that Maltzan upped the ante and claimed he couldn't do the work without a significant increase in his fee. The guy is good! He worked the CRA, squeezed them and proved to be a formidable negotiator. Then he walked, unable to get his fee. A long waste of time journey that could have been avoided if the CRA was motivated or skilled enough to negotiate at the same level as those who do this for a living.

3) The partnership process seems based on a pursuit of low-maintenance rather than high-performance relationships.

The CRA worked with McCormack Baron to develop and manage Metro Hollywood, a mixed-use project at Hollywood & Western. Two of the four ground floor spaces have never seen a tenant, the property manager seems unaware of the homeless encampment just to the west of the building's front door, the open space serves as a public restroom for the squatters, and overall perception of the community is that the facility contributes to the blight in the neighborhood. Yet the CRA just entered into a $15 million relationship with McCormack Barron for another TOD project, based on the success of Metro Hollywood. How are these relationships reviewed?

How is performance measured?

Is it simply based on the applicant's ability to navigate the system or is it because of the robust and successful projects and the relationships with the community?

4) The success of the CRA's projects is based on the completion of brick and mortar construction but rarely evaluates any sense of connectivity with the community.

Along the journey on the development of the W Hotel, the community pushed for innovations such as a Bike-Share facility in the W, a Car-Share facility in the W, all-walk phases (ped-scrambles) at the intersections surrounding the W, delivery services for local shoppers, all small elements in the grand scheme of things but enhancements that speak to the commitment to integrate with the local community. Those improvements may be coming, there may be better ones on the way, we just don't know about them.

What we do hear is abstract information that doesn't impact the individual on a personal level nor does it engage the individual in a relationship. Five acres, $500 million, 400 jobs, 400 rooms, 150 condos, all high-altitude stats that sound great but that fail to address real quality of life metrics.

How does one cross the street?

What does the street feel like from the pedestrian’s perspective? What's it like to walk down Argyle at night?

Can the occupants of the fortress see the people on the street or is it another "two worlds" concept?

Are there amenities for the Metro passengers or is this the clash of cultures? What's the impact of all of those billboards on the community?

How does the W circumvent the moratorium on billboards?

How can the community respect authority if the W manipulates the system?

5) The mandate of the CRA, to revitalize blighted communities using public money, seems to be lacking a clear standard of blight and a clear standard for performance.

For all of the zestful enthusiasm for employing large numbers of construction workers to build large fortresses, there seems to be little effort to pursue the softer and more difficult elements of blight, the human elements.

First, what is being done to reduce homelessness? There is no simpler definition of blight than to simply ask, "Are people living on the streets?" If so, get to work. But get them off the street, don't simply move them over two blocks to a different site!

Second, are the quotidian needs of the locals being met on the boulevard?

If the CRA keeps investing in facilities that don't connect with the communities, one might try to call it commerce, one might try to call it economic revitalization but the street comes alive when the locals have a reason to shop there.

The streets are safer and more attractive when people have a reason come to walk down the sidewalk and visit the bakery, grab a coffee, buy a book, pick up some flowers, visit with friends in the hospitable public space.

The projects must be evaluated on their contribution to the economic mix of the community and their ability to stir activity on the streets. "Bigger is better" is the mantra of cancer, not of development from the perspective of the individual human who must live and work and walk in the shadows of the fortresses that fail to engage the neighborhood on a personal level.

6) The final stage of development, one that the CRA and Legacy Partners is currently engaged in, is to negotiate the "Community Benefit." This is so odd. The project itself is supposed to be a community benefit so why is it getting shoehorned in as the red carpet is getting unrolled and the Chamber is preparing to cut the ribbon? Wouldn't "Community Benefit" be the foundation of the project, driving all actions, decisions, partnerships and results from that point on?

Apparently not.

The W Hollywood Hotel & Residences is in the process of committing to a "Community Benefit" that consists of an agreement to hiring local. Those local hires will be paid a living wage, obviously qualifying for accommodations at the W Residences and giving new meaning to "local.

As for the folks who are waiting to go "local" over at the Villas at Gower, no word yet on the groundbreaking, no word yet on housing options for the homeless, no word. Simply no word.

Hollywood, from the residents to the merchants to the tourists to the homeless, deserves better, and it's up to us to raise the standard.

(Stephen Box is a planning and transportation advocate and writes for CityWatch. He can be reached at Stephen@ThirdEyeCreative.net)